Tag Archives: Moniack Mhor

Pitching my novel @XpoNorth

Yesterday I was in Inverness, live pitching my novel Sackcloth on Skin to a panel of publishers in front of an audience. It was an event staged as part of #XpoNorth, Scotland’s leading creative industries festival, which is held over two days in Eden Court Theatre. It’s a vibrant mix of music, film, digital technologies, publishing, seminars and trade stands (including Moniack Mhor). The atmosphere was fantastic, with live music and interviews taking place wherever you turned.

The Writers’ Pitch panel was chaired by agent Jenny Brown, and included representatives from Sandstone Press, Hodder / Sceptre, Canongate and Birlinn. What a line up! Around 120 writers had applied to pitch their work to the panel, and 18 of us had been selected, divided equally between non-fiction, literary fiction and commercial fiction. We sat in the room glancing at one another nervously, working out who else was pitching, and encouraging one another. There were two really interesting discussions between the panel members about trends in non-fiction and fiction publishing. Each writer then had five minutes to pitch their work, and then received feedback based on both the pitch and their original submission. It was a real privilege to listen to some of these fantastic ideas, and there are a few books out there I look forward to reading in the future!

So what about my own first experience of pitching?

It was a huge encouragement to have been selected in the first place alongside some seriously talented writers.  Since the start of the year I have sent off my synopsis and extract of my manuscript to a number of agents with very little response, so I’m so grateful for the opportunity to get some first-hand professional feedback. Of course it was terrifying, but I was determined to enjoy the experience and to try not to second guess the outcome. I was happy with the way the pitch went. The panel members were positive about the stories, characters and themes in my book, which was really encouraging. Some people from the audience later spoke to me too and said how much they’d enjoyed it.

I did receive one piece of feedback consistently from the different panel members which was to do with the complexity of the structure of the novel. It’s definitely a fair point, and something I think I can address. If anything came through to me yesterday it was how quickly the focus moves from writing a book – alone, in a wee bubble – to working out how to sell the book. While keeping its integrity, it’s important to work out if there are aspects which will get in the way firstly of me trying to ‘sell’ the book to an agent or publisher, and then their challenge to sell it to their colleagues, booksellers, and ultimately the public.

Of course it would be easy to be discouraged because I didn’t walk away from XpoNorth with quite the result I might have wanted, but this whole process was never going to be easy! So it’s back to the keyboard, which is the aspect I love so I’m happy enough with that for now. I’ll then have to see whether I believe the new structure is an improvement, and try sending it out once more.

20170607_101239

Walking through Inverness to do my pitch yesterday morning, I came across this paving stone. Indeed.

 

Advertisements

Sackcloth on Skin: try everything!

img_8846

The motto for 2017. Try everything.

This is the year that I will try to find a publisher for Sackcloth on Skin. I’m arriving at this point about a year later than I perhaps expected to, but I think that’s probably a good thing. In some ways not much has happened in the past year – but I’ve been through the book several times and it’s much better for all that editing than it was a year ago. And most importantly, Moniack Mhor happened. I wrote about my week at Scotland’s creative writing centre here. It definitely helped the book, and perhaps more significantly it helped my mindset as a writer. It was the first time I’d shared this book with anyone else, and it was such an encouragement to realise that people seemed to believe it was worth something. It also took away some of my impatience and stress about what should happen next.

But I can’t sit in this waiting room for ever. Three or four years ago I decided it was time to stop dreaming and to actually get on and write this book. Now once more it’s time to stop dreaming and  get on and look for a publisher. I may not succeed, but I need to try. And I am under absolutely no illusions about how difficult that will be, and how resilient I will have to be to cope with rejection. I remember how tough it was trying to get War Classics published, and that wasn’t part of me in the way this book is.

When I was speaking about publication at Moniack Mhor with one of the tutors she said ‘try everything’. Not in some scattergun approach – I have a very clear plan of who I want to approach and why – but if one avenue doesn’t work out try another. Don’t give up. So that is my plan for 2017. Try everything.

I have a plan, but unexpected opportunities may come along. On 6 January there was a twitter event held by XpoNorth offering the chance to tweet a pitch for your book. In the spirit of Try everything I had a go. And guess what, it didn’t change the world, it didn’t lead to a publishing deal –  but it was fun. I’ve only dabbled in twitter before so even the process of composing my tweet was an absorbing challenge, and reading all the other tweets was unexpectedly addictive. This was mine:

@florajo14
1688 woman in sackcloth, pregnant, betrayed. Grief as Renwick hangs. 2013 roadtrip thru Scotland’s spiritual landscape. Love echoes. #xpob

So 2017 is the year I will try to find a publisher, and the voice in my head repeats Try everything. Deep breath … bring it on!

 

© All content copyright Flora Johnston. You may reblog or share with acknowledgement, but please do not use in any other context without permission.

 

Moniack Mhor: a spacious place

 

img_8837

Moniack Mhor is Scotland’s Creative Writing Centre, nestling in the hills near Beauly. Throughout the year it offers a wide range of courses and retreats. Last week’s Historical Fiction course was led by Margaret Elphinstone and Isla Dewar, with James Robertson as guest reader. It was both a privilege and a pleasure to be there, thanks in part to the generous support of the Bridge Awards.

The centre is ideal for its purpose, full of character with stone walls and a wood burning stove and a spectacular setting. The weather was typically Highland, ranging from stunning blue skies to a mist which clung to the landscape for a whole day, and then a storm which shook the windows as we shared our work on the final evening. My room was simple, with a plain wooden desk set at the window overlooking the hills. Whenever possible I worked with the window wide open –  a spacious place indeed.

img_8846

The course offered practical workshops in the morning which were both fun and demanding, and one-to-one tutorials with the tutors in the afternoons. There was plenty of opportunity to think, to walk and of course to write. It was great to spend time and share ideas with such a supportive, fun and interesting group of people.

I’ve come home rested yet challenged, inspired and encouraged, with increased confidence in what I am doing and a determination to build more protected writing time into my week. I also came home with a ‘to do’ list relating to my novel Sackcloth on Skin, but the way the mind works is a strange thing. Two days after returning, with conversations and words and ideas still replaying in my head, I suddenly saw a fresh way of resolving something which has bothered me about the book. If only I could have had that thought while I was at Moniack, with the chance to talk it over with others … but on the other hand it’s good that the creative process wasn’t left behind with the peace and the scenery! So there may now be a bit more rewriting to be done than I’d anticipated, but hopefully in the long run that will be a good outcome of having spent my week at Moniack Mhor.

More soon ….

 

© All content copyright Flora Johnston. You may reblog or share with acknowledgement, but please do not use in any other context without permission.

Emerging Writer Award – Sackcloth on Skin

I’ve had another project going on in the background for the last two or three years: my novel, Sackcloth on Skin. It’s set partly in seventeenth-century Scotland, with a smattering of St Andrews in the 1990s and a 2013 road trip thrown in, and explores Scotland’s spiritual landscape and heritage.

In January I came across the Emerging Writer Award, a joint venture between Moniack Mhor Creative Writing Centre and the Bridge Awards, and decided there was no harm in applying. I sent them the opening few pages of the book together with an outline of the whole novel, and was overjoyed to be awarded ‘highly commended’.

http://www.moniackmhor.org.uk/writers/the-bridge-awards/

There’s a long way to go, but it’s great to have a vote of confidence in what I’m doing with this book.

Very kindly they have awarded me a subsidy towards attending one of their courses, so I’ve booked on a course led by some of the writers I most admire and am somewhat nervously anticipating that experience! I’ve always been very much a solitary writer, particularly when it comes to my fiction, so opening up about this is extremely daunting – but it has to happen.

Looking forward to being able to share more as the months progress.

© All content copyright Flora Johnston. You may reblog or share with acknowledgement, but please do not use in any other context without permission.